Visual Vocabulary and Significance in Illustration

Abstract

This research aims to show the role of the technical-visual vocabulary as  signs and a language having intellectual implications in illustration shape building, using morphological tools and  artistic handicraft technologies that contain many ways and methods to treat  diagnostic and abstract visual art subjects of a painting done with various materials on several types of surfaces, such as coarse and glossy paper, cloth and wood as well as and computer processing and technologies.

It also addresses the technical processing methods that determine the kind of the visual effects to express the idea required, which are sometimes close to nature documenting   and sometimes close to the world of pure meditation associated with  abstract  mental perceptions as a mental product close to the sensory lapses that help in presenting a shape  through experimental treatments that lead to a aesthetic and cognitive  product, because knowledge establishes and identifies the necessary links between man and his environment, that is knowledge, through the aesthetic elements, reorganizes the shapes in coordinative and transformational system