Chromatography Emotion And Its Aesthetic Impact On The Formation Of The Syrian Painting Work In The Twentieth Century

Abstract

The structure of the figurative painting is embodied according to the psychological state of the Syrian artist, the painter, and according to the interactive concept of the rules on which he is based in the beginning and until the completion of his artwork, or according to his emotional psychological state that tries to deviate from the norm and the custom to reach a work of art that extinguishes his desire and feelings resulting from the content of the artwork.

Artwork in the second half of the twentieth century bears the rational and emotional states of the plastic artist, and the intellectual planning of the painter determines the identity of the artwork. Based on the identification of the line with the color spaces with each other, it is a formulation of the Syrian historical and heritage data of the painter to present an artwork with an authentic content, the texture and surface of the painting has a psychological impact on the viewer, through his reading of the artwork that translates the emotional and creative state of the painter artist and the extent of the harmony of Chromatography relations with substance.

The artistic vision and aesthetic awareness of the artistic product of the Syrian photographer in the twentieth century within his local environment, and the in-depth study of the importance, role and impact of building composition and color formulation, led to the development of his intellectual and visual side. This shows us the extent to which the visual identity of Syrian painting is related to the artist's search for originality.