The Quincunx (Takhamis) in Sufi PoetryBetween Ibn Siwar and Abd Al Ghani Al Nabulsi.

Abstract

   AL TAKHMIS is a type of poetic art that dominated the literature of Mamluk and Ottoman eras. This research sheds a light on the experiences of the two SUFI Poets (IBN SIWAR AL DAMASHQI-667AH) and (ABD AL-GHANI NABULSI -1143AH). Hence, the importance of the research lies in tracing the quincunx poems of those two poets in order to reveal the dialectic of the relationship between quincunx and SUFI Language in achieving the harmony between the SUFI Voices in one hand, and the specialty of the SUFI Language in the response to the doctrinal content on the other hand.

   The research concluded that there is a dialectical relationship between thought and art within the framework of Sufi mysticism (TAKHMIS)which manifests itself in quality of transcendence. However, this transgression remained limited in the frame of previous meter and rhythm, reserving the nodal content as well. Hence, the artistic heritage attraction and the intellectual

response achieved harmony between the voices of IBN SIWAR and AL NABULSI in the art of Quincunx (AL TAKHAMIS),which made the relationship between two available texts like the relationship of the origin to branch   within the framework of productive reception.