Fateh Al Moudarres’s philosophical and sensory referencesPhilosophical - Plastic Access Exchange

Abstract

The plastic painter (Mouhammad Fateh Al Moudarres 1922-1999AD) was exposed to a number of influences in his life represented by intellectual and

sensory influences through which the social and political reality was reflected in aesthetic provisions in his artistic production.

These products, as sensory-mental processes, showed an inextricable connection with his psychological state and constant feeling of stress, anxiety, emotion and pain. Like the existentialist who stands face to face with death or nothingness, he is led by a deep sense of existence and human issues such as: (The Palestinian Case) and (Algerian Revolutionaries)

As well as the details of his private life with his family to an aesthetic style affected by the character of bereavement represented by his own expressive style through the processes of reduction, modification, simplification, and exaggeration in the composition of some artistic forms and their exotic structure.

All of this was influenced by unavoidable references, especially the exchanges of intellectual access between existential philosophy (as a way of thinking) and painting (as a style of formation).

The basic references for the system of shape and color for the Moudarres were the starting points that remained latent and disguised in all of his artistic production, so the research was to discover and identify the references that must be paid attention to and necessary to know the artistic and aesthetic realities in his artistic production.