The concept of movement and its dimensions in photography

Abstract

This research studies the kinetic Characteristics of the photography horizons. Where photography sought to capture daily events and objects in their movement within the aesthetics and multiple artistic movements, stemming from the ideas and concepts that filled the arena of plastic art in the Modernism. Such as Photodynamism and the stroboscopic photography. Then the research sought to study the aesthetics of movement in photography, that are related to abstraction, including the use of the experimental photography with its multiple techniques (photogram).

Then the research turns to studying the transformation of the kinetic concept of photography, from being perceptual based on the prior experience of the recipient, to another level of kinetic illusion, based on the scientific fact that the human brain can retain the impression of the image for a period (parts of a second).

Here comes the research to mention the experience of the British-American Eadweard Muybridge, which formed the beginnings of moving pictures. Then it deals with the study of movement in a group of artistic films in the Modernism.